Realidade e representação: possibilidade e desafio em pintura

• Ano de defesa: 1998
• Autor(a) principal: Bellagamba, Mauro Folhadella
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Rio de Janeiro; Brasil; Escola de Belas Artes; Programa de Pós-Graduação em Artes Visuais; UFRJ
• Palavras-chave em Português: Pintura; Criação artística; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES::HISTORIA DA ARTE
• Link de acesso: http://hdl.handle.net/11422/5576

This paper summarizes theoretical considerations engendered by my artistic production in painting. It intends to join practice and reflection, fulfilling the requirements for attaining a Master Degree in Visual Languages. Cutting out brief slices of Art’s History, I try to situate and analyse contexts and moments when the questioning of values (as occurs today) evoked in artists and their work answers in an attempt to overcome feelings of doom and end - comprising movements I call ideological acts. In favor of a starting hypothesis which defends the maintenance of painting and its procedures as a legitimate way of working out poetic creation in our time, I present four of my own paintings which, besides depicting concepts such as Reality and Representation, Part and Whole, Intention and Gesture, hold the directions of my wonderings in today’s artistic context.