Travessias poéticas em Amneres: do blog ao livro

• Ano de defesa: 2022
• Autor(a) principal: Souza, Olavo Barreto de
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal da Paraíba; Brasil; Letras; Programa de Pós-Graduação em Letras; UFPB
• Palavras-chave em Português: Retextualização; Reescrita de poemas; Livro-blog; Poesia brasileira contemporânea; Amneres; Retextualization; Rewriting poemas; Book-blog; Brazilian contemporary poetry; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: https://repositorio.ufpb.br/jspui/handle/123456789/23483

This research investigates the writing process involving the creation of Diário da poesia em combustão, by Amneres (2010), from the crossings between the blog, entitled Poesia em tempo real, its first place of publication, and the book, the compelled object from the digital territory. In this transit between works, we are interested in the aspects that manifest continuities and discontinuities among them, analyzing its specificities and possible motivations. The hypothesis we developed throughout the thesis admits that the course of writing was carried out from a continuous work, not ended with its printed version; and that the digital space is an open field for experimentation, having as its fundamental characteristic the aspect of malleability, in which the author's poems are inscribed, favoring various versions of them in the course of their production, either in a digital environment or in the analog one. To do so, we rely on a comparative analysis between the digital and the printed version in this writing path. As for the division of chapters, the thesis is constituted as follows: in the first chapter we briefly present the author's work, in order to visualize the creative path in her published books; in the second one, we focus on the discussion of such trajectory carried out between the blog Poesia em tempo real and the book Diário da poesia em combustão, analyzing the crossings of rewriting, regarding the multiple vocabulary changes performed in the poems; in the third chapter, we discuss the particularities concerning editorial matters and the paratexts toward the distinctive formatting of her works; in the fourth chapter, we highlight the processes of retextualization and reception implied in this course of writing, emphasizing how such issues dialogue to constitute the analyzed objects; finally, the fifth chapter deals with the virtualities of the blog and the materialities of the book, in which we enlist the interactions and discussions on the theoretical considerations about such elements, observing the crossings between the works discussed. As for the authors with whom we dialogue, the following stand out: Genette (2009), Lejeune (2008), Schittine (2004), Marcuschi (2001), Jauss (1994), Chartier (1998), among others.