Antirretórica do menos: A poesia pós-concreta de augusto de campos

• Ano de defesa: 2013
• Autor(a) principal: Marcolino, Francisco Fábio Vieira
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal da Paraí­ba; BR; Letras; Programa de Pós-Graduação em Letras; UFPB
• Palavras-chave em Português: Augusto de Campos; Poesia contemporânea; Parataxe; Intersemiose; Concisão; Contemporary poetry; Parataxis; Intersemiosis; Concision; LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: https://repositorio.ufpb.br/jspui/handle/tede/6256

This Doctorate dissertation is focused on the reading of Augusto de Campos poems (1931-). The research process consisted of a systematization of literary critics, theoretical basis analysis, and critical-interpretive reading of this author s poems. Starting from literary critics about Campos, one identified a plasmatic phenomenon in his lyric poems which is marked by denials and refusals, as well as a configuration of the so-called poetry in anticipation. Moreover, the latter is based on creative appropriation of technology. According to the theoretical basis used in this dissertation, one considered cultural dialogism wherein Concrete Poems are emphasized, as well as its amplified conception into concretion in language , which consists of valuation and exploitation of the materiality of language (Haroldo de Campos). As for the critical-interpretive reading of Augusto de Campos poems, one selected eight poems, which are inserted into Campos post-concrete phase (1970-). These poems are part of the following books: Despoesia (De Poetry, 1994) and Não poemas (Non Poems, 2003): 2ª via (Second Way) , Todos os sons (All Sounds) , João/ agrestes , Ão (Tion) , SOS , Caos (Chaos) , Sem saída (Dead-end) , Inútil idade (Use less useless age). The corpus selection was processed by the application of four procedures: concision , non-linear audio-graphic format , analogical syntax , modelling . The methodological analysis was based on Applied Semiotics , which states that the object itself can generate aesthetical and extra aesthetical relations. Such a procedure is related to Cultural Semiotics, of which theoretic argument this research is consisted of, especially in studies by authors, such as: Lotman, Bakhtin, Haroldo de Campos, Antonio Risério, Irene Machado. Among other authors, like: Chklovski, Jakobson, Eisenstein, Mukarovsky, Tinianov, Octavio Paz, Décio Pignatari, Julio Plaza, Paulo Leminski, Omar Khouri, and Lucia Santaella. With respect to Brazilian Literature, one established dialogisms with the poetry by João Cabral de Melo Neto; whereas in the intersemiotic field, this research highlights the music produced by João Gilberto, Anton Webern, and John Cage. Campos poetics is based on the incorporation of extra literary repertoire, on the inter(intra)semiosis practice, on the plasmatic phenomenon of a self-conscious lyric poem, on the hybridization of the artistic signs, and on the verticalization of poetic function. Moreover, such a poetry is meant to inform, combat, and refuse the easy aesthetic. Besides, it is meant not to accept the transformation of form into formula. On being so, Augusto de Campos poetry consists of a moment of renewing of poetic language, based on the foregrounding (Mukarovsky s term to defamiliarization of language), as well as the sign motivation.