O sentimento pós-moderno na filmografia de Quentin Tarantino

• Ano de defesa: 2018
• Autor(a) principal: Albuquerque, Ana Karla Costa de
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal da Paraíba; Brasil; Letras; Programa de Pós-Graduação em Letras; UFPB
• Palavras-chave em Português: Pós-modernismo; Cinema pós-moderno; Metaficção; Quentin Tarantino; Postmodernism; Postmodern cinema; Metafiction; Postmodernisme; Cinéma postmoderne; Métafiction; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: https://repositorio.ufpb.br/jspui/handle/123456789/14861

Pulp Fiction (1994), Kill Bill vol. 1 (2003), Kill Bill vol. 2 (2004) and Inglourious Basterds (2009) are representative of a postmodern feel that permeates the entire filmography of American director Quentin Tarantino. The director's aesthetic choices will be analyzed into the perspective of concepts that characterize contemporary culture and society, such as those exemplified or theorized by Susan Sontag, Jean François Lyotard, Fredric Jameson, Ihab Hassan, Stuart Hall, Charles Jencks and Linda Hutcheon. Our aim is to provide an investigation able to cross the formal construction of Quentin Tarantino's metafictional discourse interweaving the problem of the crisis of representation and the representation of subjectivity in postmodern cinema.