“De que é que ele se ri?” : dramaturgia e historicidade : Millôr Fernandes diante da cena teatral brasileira dos anos de 1960 e 1970.

• Ano de defesa: 2017
• Autor(a) principal: Rodrigues, Gustavo Henrique Ferreira
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Mato Grosso; Brasil; Instituto de Geografia, História e Documentação (IGHD); UFMT CUC - Cuiabá; Programa de Pós-Graduação em História
• Palavras-chave em Português: .; CNPQ::CIENCIAS HUMANAS::HISTORIA
• Link de acesso: http://ri.ufmt.br/handle/1/4105

The present study analyzes the theatrical pieces Liberdade, Liberdade (1964), O Homem do Princípio ao Fim (1966), Computa, computador, computa (1972) and É... (1977) of Millôr Fernandes. The dissertation presents aspects of the theater developed in Brazil in the years of 1960. The work presents reflections on how part of the works of Millor Fernandes was put in the marginality due to the readings that critics realized in the period. How these criticisms were able to influence the pieces of the years of 1970. We will notice that there is a conception of dramaturgy where forms of dramaturgical writings are prioritized and others are placed in the marginality. As a guideline in this dramaturgy, there is the criticism of the middle class of the period. And we realize that in front of such themes in this dramaturgy is a challenge to the morality and morality of this middle class. Providing the power of questioning and resistance in the years of authoritarianism.