Teatro digital: uma experiência da Cia. Pierrot Lunar em “Antigamente, é quando?”
Ano de defesa: | 2023 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Minas Gerais
Brasil EBA - ESCOLA DE BELAS ARTES Programa de Pós-Graduação em Artes UFMG |
Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | http://hdl.handle.net/1843/63910 |
Resumo: | This dissertation aims to identify possible procedures for understanding, improving and systematizing the creation of so-called digital theater. It also seeks to point out its reverberations based on a literature review and on the analysis of "Antigamente, é quando?", an experience presented and broadcasted online in 2020 in Belo Horizonte by Cia. Pierrot Lunar, a theater collective whose member is the author of this study. Through a bibliographical review, a description of the procedures carried out in the creation and also gathering interviews with the team, categories of analysis were established with the intention of identifying elements that make up the work and finding ways to understanding how possible connections can be created between the artisanal character of theater, permeated by physical presence and its dialogues with the technology of remote transmission of presence. This phenomenon has been accentuated by the social isolation imposed by the Covid-19 pandemic and has brought new perspectives to theater. Finally, this study seeks to understand how the interference of digital media, permeated by cinema, audiovisual and the internet, can offer a plural look at the border relations between these languages. |