A polirritmia aplicada na bateria : práticas e estudos para a performance

Detalhes bibliográficos
Ano de defesa: 2019
Autor(a) principal: Bruno de Aguiar Ferreira Alves
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
Brasil
MUSICA - ESCOLA DE MUSICA
Programa de Pós-Graduação em Música
UFMG
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://hdl.handle.net/1843/33324
Resumo: This paper aims to investigate how polyrhythm has been approached in the theoretical fields, methods and instrumental practice, in order to report on this subject in a comprehensive way and create drums practices. From Sara Cohen's definitions of two different rhythmic polyrhythmic organizations, it was possible to find examples, such as the studies by Peter Magadini and a solo by drummer Jason Gianni. With these references it was possible to create and systematize practical exercises with polyrhythmias applied in phrases and motor coordination studies involving synchronization of different metrics simultaneously. In addition, the exercises created were applied in samba rhythm in order to present examples for the application in musical genre and also to contribute to the didactics of performance for Brazilian music. Polyrhythmia has been used in several instruments and genres, but it is a field that allows a wide range of rhythmic applications, so this work aims to provide tools for performance and general knowledge on this subject.