Fazendo e desfazendo gênero: xs drag queens de Belo Horizonte

Detalhes bibliográficos
Ano de defesa: 2016
Autor(a) principal: Henrique Luiz Caproni Neto
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Minas Gerais
UFMG
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://hdl.handle.net/1843/BUBD-B75NBF
Resumo: I sought in this dissertation to understand the doing and undoing of the gender of drag queens from Belo Horizonte, using especially the works of Judith Butler (2003, 1993, 1997, 2004). The theory was structured discussing: the gender in a non-essentialist view, considering it as a doing and not a property of the subject, the criticis of the gender binary and questioning the transgender issue without intending to exhaust it given its complexity; doing and undoing the gender supporting me especially in Judith Butler, organizational and social sciences authors; (hetero) norm and the (dis) identification appropriating Butler's reflections on the subject related directly to social norms, given that the identifications are never complete, allowing differentiations and subversions; the performativity, parody and gender performance, differentiating them and recognizing the performativity imbricated with the reiteration of the discursive norms; a brief introduction to the world of drags especially focusing on Brazilian studies. Thus, I realized a qualitative research, with a poststructuralist epistemology through biographical narratives of ten drag queens, with inspiration in critical discourse analysis of Fairclough (2003, 2008). The analysis was designed from the work and concepts of Judith Butler and has the following categories: Performances that contains sub-categories: on performances, productions and caches, performances with the "straight" and "LGBTIQ" public, performances and feelings, and humor; The relationship among drags: family, "friends", "colleagues" and power games; Seeking recognition for x drag queen; Humor; (Dis) Identifications; Doing and undoing gender. Finally, considerations lead the complexity and ambivalence of this theme in the identifications, the doings, undoings and the contingentiality of the gender. Also thinking about the possibility of a direct relationship with critical organizational studies, having seen that the heteronormative matrix inhabits the administration, but does not prevent us to create rivals matrices