Orides Fontela e a contextura poética de Alba: o livro de poesia como objeto poético

• Ano de defesa: 2019
• Autor(a) principal: Nathan Matos Magalhães
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; Brasil; FALE - FACULDADE DE LETRAS; Programa de Pós-Graduação em Estudos Literários; UFMG
• Palavras-chave em Português: Orides Fontela; Poesia Brasileira; Contextura Poética; Alba; Livro de poesia; Fontela, Orides, 1940- – Alba – Crítica e interpretação; Poesia brasileira – História e crítica; Poética
• Link de acesso: http://hdl.handle.net/1843/35704

This dissertation analyzes how a poetry book is organized and how it can be understood as a poetic object. I use the concept of contexture, introduced by the critic Neil Fraistat, to show that Orides Fontela’s books have a specific context. My corpus includes the poet's five books, with a stronger emphasis on "Alba" (1983). The text is divided into three chapters; the first one presents the idea of contexture and the way it works in order to structure the organization of a poetry book; the second presents a study about the poem “Transposição” and its importance for the contexture of Fontela’s books, besides conducting a study around the element “light” as a link between various poems and the books themselves; chapter three analyzes the poems titled “Alba,” as well as the presence of symbols – such as the mirror – the book's themes – such as myth – and the strategies used by the poet to organize the book "Alba" – such as the ideas of construction and deconstruction.