O estilo de Zé da Velha no CD Só Gafieira!: práticas de performance do trombone no choro

• Ano de defesa: 2017
• Autor(a) principal: Marcos Flavio de Aguiar Freitas
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: Práticas de performance do trombone no choro; Zé da Velha e Silvério Pontes; Trombone no Brasil; Performance musical; Musica; Choro (Musica)
• Link de acesso: http://hdl.handle.net/1843/AAGS-AUWFE7

A study on the performance practices of Brazilian trombone player Zé da Velha in the music genre of choro, based on the transcription and analysis of seven choros from his first solo CD, Só Gafieira! (ZÉ DA VELHA and PONTES, 1995). This dissertation aims at demonstrating his importance as an interpretive reference for instrumentalists of this popular Brazilian genre, and specifically for trombone performance practices. The text initially contextualizes the trombone (BAINES, 1993; GREGORY, 1973), the trombone in Brazil (SANTOS, 1999; SALLES, 1985; ELLMERICH 1977) and the trombone in choro (JUNIOR, 2014; CAZES, 1999; PINTO, 1978). Then, Zé da Velhas biography is presented (JESUS, 1999; DINIZ and CUNHA, 2016). Finally, at its core, there is the analysis (ALMADA, 2006; KUEHN, 2012; LARUE, 1992; RUSSEL, 2001) of the transcriptions of the primary sources (Acariciando, Flor de Abacate, Cinco Companheiros, Doce de Côco, Eu Hein?, Sonoroso e Chorinho de Gafieira), which are audio tracks from the recording (ZÉ DA VELHA, PONTES and FREITAS, 2017) in performance editions (BORÉM, 2015), demonstrating the performance aspects that characterize the interpretive style of Zé da Velha and his interaction with Brazilian trumpet player Silvério Pontes.