A construção e a percepção do tempo nas obras 1919 e O bandido da luz vermelha 

• Ano de defesa: 2017
• Autor(a) principal: Cristiano Elias de Paulo
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: tempo; John dos Passos; cinema; Rogério Sganzerla; Dos Passos, John , 1896-1970 1919 Critica e interpretação; Cinema; O bandido da luz vermelha (Filme); Literatura; Tempo na literatura
• Link de acesso: http://hdl.handle.net/1843/LETR-AMAHL8

The present work intends to analyze two works, one cinematographic, the other literary with the intention of shed some light on issues related to studies about time, literature and cinema. However we will take as a starting point a less intense analysis about philosophy, so it will not be the intention of this dissertation a broader approach with regard to the studies on the time in philosophy, this will explain, therefore the absence of some authors like Bergson, Heidegger and the approach less time consuming work of others like Deleuze. The general objective of this dissertation was to explain the relationship of time in film and literature using, for others, John dos Passoss novel, 1919, and Rogério Sganzerla' s film, O Bandido da Luz Vermelha.