Quatro clics em Paulo Leminski

• Ano de defesa: 2019
• Autor(a) principal: Rafael Fava Belúzio
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: Paulo Leminski; Trindade; poesia lírica moderna; sujeito-lírico; Leminski, Paulo, 1944-1989 Metamorfose Crítica e interpretação; Poesia brasileira História e crítica; Leminski, Paulo, 1944-1989 Catatau Crítica e interpretação; Poesia lírica Séc XX; Leminski, Paulo, 1944-1989 Vida Crítica e interpretação
• Link de acesso: http://hdl.handle.net/1843/LETR-B8HGC6

This thesis analyzes and conveys four ways of syntheses developed in the literary works of Paulo Leminski. Chapter 0: nothing but a click. Chapter 1: a brief theoretical concept on Opening poem [Poema de abertura]. Chapter 2: an overview of the approaches concerning the Leminskian synthesis achieved by literary criticism; and a discussion, based on the interpretation of the opening poem contranarciussus [contranarciso], about how Leminski both revisits the Christian notion of the Triune God and elaborates syntheses that are independent in their differences and equal in their unity. Chapter 3: analyses of other works of the writer such as the novel Catatau, the biographies compiled in Life [Vida] and the essay Metaformosis [Metaformose]. This chapter also includes a reading of a letter-poem in which the author positions himself as a capitalist communist; a development of a biographical appreciation of a couplet; and an investigation on Noucentist, Oriental and Franciscan sources of a haiku. Thus, this thesis tries to analyze and express the Zero, the Brief, the Pair and the Reunion of the Diverse that constitutes the four syntheses in Paulo Leminskis work.