Vários modos de se dizer o nada : as figuras niilistas de Kierkegaard entre a filosofia e a literatura

• Ano de defesa: 2021
• Autor(a) principal: Jean dos Santos Vargas
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; Brasil; FAF - DEPARTAMENTO DE FILOSOFIA; Programa de Pós-Graduação em Filosofia; UFMG
• Palavras-chave em Português: Ironia; Nada; Niilismo; Romantismo Alemão; Tédio; Kierkegaard; Filosofia - Teses; Kierkegaard, Soren, 1813-1855; Romantismo - Teses; Niilismo - Teses; Tédio - Teses
• Link de acesso: http://hdl.handle.net/1843/50239

The present investigation aims to think about the theme of nihilism from the reflections of Søren Kierkegaard. The great philosophical problem of nihilism remained until then a theme, if not unprecedented, at least quite dilettante, judging by the fact that nihilism as a philosophical concept is consolidated after Kierkegaard. Considering Kierkegaard's reflections about Hegelian philosophy and romantic literature, the main claims of this research are: Kierkegaard deals with the phenomenon of nihilism in its context, even before the concept, by engaging in the quarrel between Hegel and the German Romantics; Kierkegaard sometimes takes back the romantics, sometimes Hegel to build his own path; the Nordic philosopher makes use of nihilistic figures, such as irony and boredom, to think of the malaise evidenced by modern nothingness.