A coleta dos mundos

• Ano de defesa: 2022
• Autor(a) principal: Milena Pinheiro Edelstein
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; Brasil; EBA - ESCOLA DE BELAS ARTES; Programa de Pós-Graduação em Artes; UFMG
• Palavras-chave em Português: Mudanças climáticas; Representação visual; Colecionadores e coleções; Percepção visual; Percepção espacial; Artes visuais; Paisagens na arte; Memória na arte; Espaço (Arte); Percepção geográfica; Arte e geografia
• Link de acesso: http://hdl.handle.net/1843/53861

The research developed starts from the understanding of the terms “collection” and “harvest” as poetic possibilities worked by artists and non-artists in order to sensitize us to the planet’s climate transformations, as well as being procedures that enable a sharing of more heterogeneous perceptions about the world we live in. When elaborating a discussion on both terms, I brought my work as an artist to understand the questions that arose during the research, and thus, propose a look focused on micro existences as learning models that put the Earth’s anthropogenic actions into conflict. The research intends to launch notes and questions, more than finding strict answers about the notions of territory and place; as well as discussing the extent to which certain forms of visual representations can bring us closer or distance us from the world we live in.