Música, filosofia e linguagem: a fenomenologia em Robert Sokolovski como ferramenta de análise e percepção musical

• Ano de defesa: 2021
• Autor(a) principal: Marcus Vinícius Souza Monteiro
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; Brasil; MUS - DEPARTAMENTO DE TEORIA GERAL DA MÚSICA; Programa de Pós-Graduação em Música; UFMG
• Palavras-chave em Português: Fenomenologia; Sokolovski; Webern; Schubert; Schumann; Música e linguagem; Sokolowsk, Robert, 1944-; Música - Análise, apreciação; Webern, Anton, 1883-1945; Schubert, Franz, 1797-1828; Schumann, Robert, 1810-1856
• Link de acesso: http://hdl.handle.net/1843/44539

The present study investigates through the concepts of intentionality of consciousness, parts and whole, identity in multiplicity and presence and absence, as well as others complementary to the above, relevant to the work of Edmund Husserl and inherent to phenomenology, from the perspective of Robert Sokolovski, in the works Wie bin ich fröh Op. 25, no1, by Anton Webern; Musical Moments Nos. 1 and 2, by Franz Schubert; and in the works Variations on the name ABEGG Op. 1, Symphonic Studies Op. 13 and Humoreske Op. 20, written by the composer Robert Schumann; aiming to elucidate whether in fact such concepts have any relevance to the process of musical creation. Initially, comments on phenomenology are presented, and later, observations on the book Introduction to Phenomenology by Robert Sokolovski, going deeper into the main concepts used in performing the analyzes present in this study.