Limites da imagem digital: estudo de obras

• Ano de defesa: 2011
• Autor(a) principal: Fernando Antonio Sales Senra
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Minas Gerais; UFMG
• Palavras-chave em Português: digital; virtual; interatividade; hipermídia; real; Arte digital; Mídia digital; Tecnologia no cinema; Artes; Arte e tecnologia; Cinematografia; Multimídia (Arte); Estetica moderna
• Link de acesso: http://hdl.handle.net/1843/JSSS-8QFNDX

The digital image has a dynamic and interactive nature, thanks to its coded structure and the use of applications for its manipulation. It is present today in most social interactions through screens, projectors and mobile devices. Computer technology and digital art has generated new practices that expand concepts and languages. In the audio-visual field the Cinema language expands into new formats. We have analyzed work of artists that create interactive systems there are fluid in nature. System in which the author, the image and the receptor coexist fixed roles and determination; there is a dilution of hierarchy and linearity in the process. Practices that work the characteristics that differentiate the digital image, its relationship with the real, virtual and interactive. The digital image can transcends the representation aspect to fill the role of articulating the actions of the interactive system, and it becomes a creative agent of new sensorial realities.