Detalhes bibliográficos
| Ano de defesa: |
2024 |
| Autor(a) principal: |
ROCHA, Viviane Caldas
 |
| Orientador(a): |
RIBEIRO, Tânia Cristina Costa
|
| Banca de defesa: |
FONSECA, José Flávio Gonçalves da
,
FONSECA, Michelle Nascimento Cabral
,
MARTINS, Gilberto dos Santos
|
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal do Maranhão
|
| Programa de Pós-Graduação: |
PROGRAMA DE PÓS-GRADUAÇÃO EM ARTES CÊNICAS
|
| Departamento: |
DEPARTAMENTO DE ARTES/CCH
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
https://tedebc.ufma.br/jspui/handle/tede/5488
|
Resumo: |
This research seeks to contribute to the ludovicense theatrical context based on a record about the Núcleo de Pesquisas Teatrais - Rascunho (NPT-Rascunho), with the aim of addressing its scenic experiments that have as their motto technology with foundations in the intermedial scene. To develop this investigation, it is proposed to carry out a study contextualizing the intermedial scene in contemporary Brazilian theater, prioritizing Ludovicenses theatrical groups, giving emphasis to the NPT- Rascunho group to better investigate the use of image technologies present in their shows. As this is a study of an already performed shows, we started with theatrical genetics as the central methodology. This research will be based on scene theorists who investigate image technology and the contemporary theatrical scene based on contexts in the ludovicense scene. For the analysis of field research, we intend to interview the subjects, as well as observe the materials desired by the group (photos, videos, drafts, notebooks, texts, memories...). The study allows an analysis of methods, both technical and human, used in the development of these processes to create an intermediate scene. |
