Ilê Axé Otá Olé a arte do terreio de Mina Pedra de Encantaria no Maranhão

Detalhes bibliográficos
Ano de defesa: 2024
Autor(a) principal: OLIVEIRA, Nordman André lattes
Orientador(a): MENENDEZ, Larissa Lacerda lattes
Banca de defesa: MENENDEZ, Larissa Lacerda lattes, ZORZAL, Ricieri Carlini lattes, CONCEIÇÃO, Joanice Santos lattes
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal do Maranhão
Programa de Pós-Graduação: PROGRAMA DE PÓS-GRADUAÇÃO EM CULTURA E SOCIEDADE/CCH
Departamento: DEPARTAMENTO DE ARTES/CCH
País: Brasil
Palavras-chave em Português:
arte Afro-brasileira;
Tambor de Mina;
lei no11.645/08.
Palavras-chave em Inglês:
Afro-Brazilian art;
Tambor de Mina;
law no11.645/08.
Área do conhecimento CNPq:
Ciências Humanas
Link de acesso: https://tedebc.ufma.br/jspui/handle/tede/5366
Resumo: This work aimed to promote discussion on studies of the history of Africa, Africans and indigenous peoples in Brazil through the art of Terreiro de Mina Pedra de Encantaria, located in Maranhão. The categories that supported the studies, specifically Afro- Brazilian religion as collective memory, sacred space, forgetfulness, and social identity, are based on the writings of Halbwachs (1990), Pollak (1989; 1982), Nora (1993), Eliade (2010), Godelier (2001), Paul Ricoeur (2007), Silva (2021) and Conduru (2007;2020). From the biggest party in the liturgical calendar that Terreiro promotes, we present the main symbolic aspects, aesthetics and art. With the support of ethnographic notes and participant observation, we demonstrate the relationship between aesthetics and religion in Afro-Brazilian art, dialoguing with authors who deal with school content and African religiosity. The work dialogues with Law No. 11,645/08, contributing to Afro-Brazilian art and aesthetics becoming content for discussion and training in school spaces.

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