A estética da verossimilhança no romance Julia ou A Nova Heloísa de Jean-Jacques Rousseau

Detalhes bibliográficos
Ano de defesa: 2015
Autor(a) principal: BORRALHO, César Henrique de Paula lattes
Orientador(a): FAÇANHA, Luciano da Silva
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal do Maranhão
Programa de Pós-Graduação: PROGRAMA DE PÓS-GRADUAÇÃO EM CULTURA E SOCIEDADE/CCH
Departamento: DEPARTAMENTO DE SOCIOLOGIA E ANTROPOLOGIA/CCH
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://tedebc.ufma.br:8080/jspui/handle/tede/1515
Resumo: The research presented intends understand philosophical and literary aspects of Rousseau's aesthetics that establishi identify from the likelihood of nature and culture. For this purpose we analyze the Rousseau's critic to the place of reason imposed by the Enlightenment of the eighteenth century and the new meaning of this in his epistolary novel Julie or the New Heoise, granting primacy to feeling and makes it a key element in its condensed philosophy in the romance experienced by the love between Santi-Preux and Julia, central characters. To address the mentioned problem, it objectives to analyze the reason for exaltation in the Enlightenment of the eighteenth century as human progress proposal and inconsistencies this reason given by Rousseau as a promoter of corruption and social degeneration. We investigate , therefore, how it holds the right focus shift to the feeling recommended by Rousseau in order to make good use of these two human faculties in an attenpt to restore good manners. In this sense, we intend to understand the call likelihood, the Rousseau transparency that is mirrored by the simple family life Julia in Clarens, directing our analysis to the limits of representation that aim in false mirrors of reality and hinders the inner feelings marked by expression of a sensitive heart undeserved by reason.