Detalhes bibliográficos
| Ano de defesa: |
2024 |
| Autor(a) principal: |
SILVA, Glauber de Sousa
 |
| Orientador(a): |
FONSECA, Michelle Nascimento Cabral da |
| Banca de defesa: |
FONSECA, Michelle Nascimento Cabral da,
SILVA, Maria José Lisboa,
RIBEIRO, Tânia Cristina Costa |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal do Maranhão
|
| Programa de Pós-Graduação: |
PROGRAMA DE PÓS-GRADUAÇÃO EM ARTES CÊNICAS
|
| Departamento: |
DEPARTAMENTO DE ARTES/CCH
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
https://tedebc.ufma.br/jspui/handle/tede/5681
|
Resumo: |
This research seeks to understand how a stylised June gang show is conceived, put together and exhibited. The main focus of this work is to analyse how the June shows "O Divino Sou Eu" and "Meu Sobrenome é Babaçu", reflecting as spectacles, can become cultural mediators for the spectator based on the relationship between the community of Açailândia-MA and the Flor de Mandacaru quadrille. Also, how culture can act in a transformative way in the social life of all those involved, artists and community. In order to understand the main elements of mediation, the show in question will be the direct object of this research throughout its process of creation, elaboration and execution through the quadrilha's study laboratories. In this research, we will dialogue with the works of authors such as: Claudio Cajaíba (2013) Michelle Nascimento Cabral (2017), Nicholas Bourrioud (2009), Samuel Ribeiro Zaratim (2020), among others. Therefore, this work intends to investigate how the scenic processes are within the rehearsals and meetings, the locus of the investigation will be the Associação Cultura Flor de Mandacaru and the object of research the shows: O Divino Sou Eu and Meu Sobrenome é Babaçu, as already mentioned. |
