Detalhes bibliográficos
| Ano de defesa: |
2023 |
| Autor(a) principal: |
PRETTO, Sá de Moraes |
| Orientador(a): |
FONSECA, Michelle Nascimento Cabral |
| Banca de defesa: |
FONSECA, Michelle Nascimento Cabral,
TEJADA, Fabiane,
PANAMBY, Elton |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal do Maranhão
|
| Programa de Pós-Graduação: |
PROGRAMA DE PÓS-GRADUAÇÃO EM ARTES CÊNICAS
|
| Departamento: |
DEPARTAMENTO DE ARTES/CCH
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
|
| Área do conhecimento CNPq: |
|
| Link de acesso: |
https://tedebc.ufma.br/jspui/handle/tede/4986
|
Resumo: |
This research aims to analyze how the processes of composition and co-authorship between spect-actresses/spect-actors and the theatrical and performative event in Coletiva Ruidosa Alma and Teatro do Oprimido take place. In this approach, we consider as an object of study the relational performances of both scenic practices and that rely on the performance of spectators as creative vectors of scenic action. The research focuses on the theory systematized by the Brazilian playwright Augusto Boal (2012), in his writings on the Theater of the Oppressed, the studies by Bárbara Santos (2019) and Dodi Leal (2019), which present new approaches to TO and the scenic-performative experiments developed by the collective Ruidosa Alma in the theater and performance production scenario. The research intends to reflect on the potential of practices that encompass the spectator's action as a constituent element of the scenic phenomenon, collaborating for the construction of an expanded scene and for other understandings about theater making and the role of the spectator. |
