O feminino na poesia: análise do discurso literário em poética, de Ana Cristina César

• Ano de defesa: 2022
• Autor(a) principal: Moreira, Amanda Pereira
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Lavras; Programa de Pós-graduação em Letras; UFLA; brasil; Departamento de Estudos da Linguagem
• Palavras-chave em Português: Discurso literário; Feminino; Poesia; César, Ana Cristina, 1952-1983; Literary discourse; Feminine; Poetry; Lingüística
• Link de acesso: http://repositorio.ufla.br/jspui/handle/1/55650

Literary Discourse Analysis studies, among other things, the discursive formations in Literature, seeking to understand the constitution of the subject-author in the discursive practice by the external influences to which it is exposed, be they ideological, political, socio-historical, cultural, etc. In the case of Literature, especially women's literature, we know that literary art was important to give voice to women's experiences and lead them to have a space of belonging, however is known little about how the literary discourse about the female subject-author takes place and how it impacts on women in their critical constitution and on themselves to act in society. In this way, the present work will analyze the literary discourse and the subject-author in poetry under the poetics of Ana Cristina César, Brazilian poet of the so-called Mimeógrafo Generation of the 1970s, focusing on two topics to be analyzed: subject-author and paratopia, aiming to understand how the female author-subject is constituted and the space in which it belongs within poetry. The study will be based on theoretical precepts about literary discourse, based on authors such as Maingueneau (1987; 2005; 2008; 2008; 2010; 2010; 2010; 2010; 2018), Foucault (1969), Barthes (2004), Mello (2005) ), Galinari (2005), Almeida (2012), Mazière (2007), in addition to addressing feminism and the female figure from the perspective of authors such as Friedan (2020), Butler (2018), Duarte (2019) and Garcia (2015). ) and other authors, which leads us to understand female literature and the female subject-author present in poetic discursive practice. In the analysis of the poems, we found that we are facing an author, who uses her versatility to show her feminine self, not being stuck neither in an image, nor in a place, of the writer, since in an image of a writer, an inscriptor and a person; plus, in paratopia, we see having paratopia of identity, authorial and creative and time-space, and erotic. In short, the poet is versatile, according to a woman, showing several images of herself as she is present in the world, being free to transit and belong in various spaces of poetic work. Therefore, understanding the literary discourse and the female author-subject in the literary space in its entirety is necessary, in order to comprehensively understand the female literary work and expand the studies on women authors from the most varied literary strands, in addition to contribute to future studies on the subject in Discourse Analysis and in other areas of the human sciences.