Detalhes bibliográficos
| Ano de defesa: |
2016 |
| Autor(a) principal: |
Silveira, Marcus Bernardes de Oliveira
 |
| Orientador(a): |
Pechincha, Mônica Thereza Soares
|
| Banca de defesa: |
Pechincha, Mônica Thereza Soares,
Lima Filho, Manuel Ferreira,
Corrêa Junior, Sebastião Rios |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Antropologia Social (FCS)
|
| Departamento: |
Faculdade de Ciências Sociais - FCS (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/6457
|
Resumo: |
The Samba de Roda of Recôncavo Baiano is a Brazilian Cultural Heritage and also Oral Heritage of Humanity. Through an ethnography about the Sambas de Roda in/of Sertão of Bahia (which are outside the Heritage Policy), as well as analyzing the heritage process of the Samba de Roda of Recôncavo Baiano, I seek to compose and criticize an Ideology of Heritage. The Simultaneous use of the preposition-article "in /of" – in relation to the sambas in/of Sertão of Bahia – indicates a linguistic attempt to counteract a purely spatial and defined binding as proposed in heritage policy: the Samba de Roda of Recôncavo. To the extent that the groups endorses the traditions of Sambas de Roda from the spaces themselves, the analysis of "Sertão and Recôncavo" of Bahia also contributes to an Heritage Policy review. In doing so, the knowledge built and represented here in writing – based on musical experiences, rituals, voices, sounds, gestures and teachings from the masters of Sambas de Roda in Bahia – objectives an approach to draw a critique about the Heritage Policy and show other characteristics that indicates heritage value, which can be more flexible and critical when analyzing the power of the State in the regulation of culture. |
