A dupla reflexão: um percurso sobre o conceito de reflexão da reflexão em Kierkegaard, Fichte e o primeiro romantismo alemão

• Ano de defesa: 2018
• Autor(a) principal: Gomes, Arthur Bartholo
• Orientador(a): Klotz, Hans Christian
• Banca de defesa: Klotz, Hans Christian, Paula, Márcio Gimenes de, Suzuki , Márcio, Silva, Márcia Zebina Araújo da, Damião, Carla Milani
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Filosofia (FAFIL)
• Departamento: Faculdade de Filosofia - FAFIL (RG)
• País: Brasil
• Palavras-chave em Português: Dupla reflexão; Romantismo; Idealismo; Existencialismo
• Palavras-chave em Inglês: Double reflection; Romanticism; Idealism; Existentialism
• Área do conhecimento CNPq: CIENCIAS HUMANAS::FILOSOFIA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/8921

This thesis aims to clarify the meaning of the concept of double reflection in Kierkegaard, by elaborating reflexivity in kierkegaardian philosophy and by a retrospective tracing of how this concept can be found and formulated in Fichte and in early German romanticism. The idea of a reflection on reflection, which Kierkegaard identifies with the double reflection in his work and which is used as an operative concept to explain his philosophical, literary and religious authorship, was first formulated in Fichte's critical philosophy, and from then on it was submitted to a metacritical interpretation in the Frühromantik, which directly influenced Kierkegaard's appropriation. In order to lay the foundations for an understanding of the concept of double reflection, the work should cover not only the delineation of the concept of reflection by itself in each of these authors, but also in parallel to relate it with the conception of a reflective consciousness or individuality in each author. Although it is possible to trace this sequential line formed by this concept in these three authors, the specific differences it acquires in each of them compels the confrontation with both romanticism and idealism in Kierkegaard's work, with which he seeks to dialogue in order to delimit his religious philosophy.