A Morte Severina em Cândido Portinari e em João Cabral de Melo Neto

• Ano de defesa: 2012
• Autor(a) principal: COIMBRA, Glayce Rocha Santos
• Orientador(a): BORGES, Maria Elizia
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Mestrado em Cultura Visual
• Departamento: Processos e Sistemas Visuais, Educação e Visualidade
• País: BR
• Palavras-chave em Português: morte; sertão nordestino; literatura; artes visuais; século XX
• Palavras-chave em Inglês: death; the brazilian Northeast; literature; visual arts; twentieth century
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES::HISTORIA DA ARTE
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tde/2798

The purpose of this dissertation was to study the possible dialogue between art and literature because of the literary work of João Cabral de Melo Neto, Morte e vida severina and painter production of Candido Portinari, in particular the series of 1944 called: Retirantes, Criança morte e Enterro na rede, which the content that unites them is an expression of how the northeastern refugees dealt with death, indicate that Melo Neto and Portinari the migration process and the flight of the misfortunes experienced in the northeastern backlands seems to represent the possible output. Through a literature review and analysis of the poem and the works of Portinari, we conclude that to represent the drama experienced by these refugees, Portinari used expressionist aesthetic resources and the deformation and Melo Neto sought through the Pernambuco Regionalism and folklore, elements to portray the same situation painted by Portinari. Art and literature dialogue situations in common: the desire to express the way that these Brazilians were reluctant because of the difficulties caused by drought