História cultural da tipografia e da indústria gráfica goiana no século XIX

• Ano de defesa: 2022
• Autor(a) principal: Gouveia, José Vanderlei
• Orientador(a): Santos, Andréa Pereira dos
• Banca de defesa: Santos, Andréa Pereira dos, Valério, Erinaldo Dias, Gomes., Suely Henrique Aquino
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Comunicação (FIC)
• Departamento: Faculdade de Informação e Comunicação - FIC (RG)
• País: Brasil
• Palavras-chave em Português: Indústria Gráfica – Goiás – Século XIX; Tipografia – Goiás – Século XIX; Memória Gráfica – Goiás
• Palavras-chave em Inglês: Graphic industry – Goiás State – 19th.Century; Typography Goiás State – 19th.Century; Graphic Memory – Goiás State
• Área do conhecimento CNPq: CIENCIAS SOCIAIS APLICADAS::COMUNICACAO::TEORIA DA COMUNICACAO
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/12462

The results of a research and dissertation on the History of Communication in Goiás are presented, specifically on the cultural aspects of typography and the graphic industry in the 19th century. This segment is little known, which demanded a documental research in primary sources, along with the bibliographical research of the history and socio-cultural memory of the period. A brief account is made of the creation and expansion of typography and the press in the West and in Brazil and its consequences on life and socio-cultural formation, having as reference cultural studies, the new history and the archeology of industrialization. Along with the bibliography consulted, the main sources were the Archives of the Museu das Bandeiras, in the City of Goiás, with regard to digitized notarial and business documents, as well as the collection of periodicals and other documents from the Province of Goiás in the Digital Newsletter of the Brazilian National Library Foundation whose consultation allowed [us] to identify typographies that, in addition to newspapers, some books and magazines, provided other printing services. It was possible to identify typographies that presented themselves with their own name or 'fantasy name', and it is common for the popular name to be that of the newspaper or its owner. The result is greater knowledge of this aspect of the history of typography and the press in Goiás and the revelation of aspects still unknown in regional history.