Detalhes bibliográficos
Ano de defesa: |
2020 |
Autor(a) principal: |
Gomes Júnior, Lázaro Moreira
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Orientador(a): |
Dias, Luciene de Oliveira
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Banca de defesa: |
Dias, Luciene de Oliveira,
Reinato, Eduardo José,
Lima Neto, Djalma Rodrigues,
Santos, Rafael Guarato dos,
Lima, Ricardo Barbosa de |
Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Federal de Goiás
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Programa de Pós-Graduação: |
Programa de Pós-graduação em Performances Culturais (FCS)
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Departamento: |
Faculdade de Ciências Sociais - FCS (RG)
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País: |
Brasil
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Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/10617
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Resumo: |
The work that follows sought to carry out a dialogue between soccer, a present and constituent sport in Brazilian society and culture, with studies of performance and gender. We had as starting point two professional soccer referees who acted between the decade of 1980 and 1990 of the twentieth century. Jorge José Emiliano dos Santos, an assumed homosexual and Clésio Moreira dos Santos, a heterosexual who created a gay character, to act as referee. The study sought to analyze soccer as a ritual, through the concepts developed by Victor Turner and Richard Schecnher, strained by the masculinities construction process within a misogynist and homophobic society based on heteronormativity. |