LARÓYÈ: EXU NA OBRA DE MARIO CRAVO NETO

• Ano de defesa: 2008
• Autor(a) principal: MENDONÇA, Adriana Aparecida
• Orientador(a): MONTEIRO, Rosana Horio
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Mestrado em Cultura Visual
• Departamento: Processos e Sistemas Visuais, Educação e Visualidade
• País: BR
• Palavras-chave em Português: ARTE AFRO-BRASILEIRA, FOTOGRAFIA, EXU, MARIO CRAVO NETO
• Palavras-chave em Inglês: AFRICAN-BRAZILIAN ART, PHOTOGRAPHS, EXU, MARIO CRAVO NETO
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tde/2820

The present work has themselves in the study of (re) significance of the heritage of religious and mythological deities in the african-Brazilian artistic production, with emphasis on the symbolic presence of the messenger Exu in the work of Mario Cravo Neto. In this research we seek to understand the artistic context African American and the various forms of Exu representation of the messenger, especially in contemporary photograph of the artist Mario Cravo Neto. We promote a dialogue between the mythology of the deities mainly the myths that narrates the stories of Exu, with the production of photographic series called Laróyè. This production about the African philosophy, where religion and art are not separate. The study focuses mainly on the connections that Mario Cravo Neto establish with the worship of deities, specifically the relationship between religiosity and imagery generated in the cosmology of gods Africans in Brazil and its constant changes in the face of artistic and religious diversity