Detalhes bibliográficos
Ano de defesa: |
2016 |
Autor(a) principal: |
Ferreira, Ana Isabel Oliveira
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Orientador(a): |
Mello, Márcia Metran de
![lattes](/bdtd/themes/bdtd/images/lattes.gif?_=1676566308) |
Banca de defesa: |
Mello, Márcia Metran de
,
Oliveira, Adriana Mara Vaz de,
Boaventura, Deusa Maria Rodrigues |
Tipo de documento: |
Dissertação
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Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Universidade Federal de Goiás
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Programa de Pós-Graduação: |
Programa de Pós-graduação em Projeto e Cidade (FAV)
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Departamento: |
Faculdade de Artes Visuais - FAV (RG)
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País: |
Brasil
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Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/6459
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Resumo: |
The formation of cultural enterprises, cultural consumption market strengthening and the creation of traveling and temporary exhibitions linked to the artistic transformations, made exhibition spaces acquired a new character, requiring an overhaul of both its old demands and the need to expand its boundaries in the contemporary world. In this context, this work presents a study of the spatial conceptions of contemporary museums based on the analysis of Inhotim Institute galleries, which is considered the most important center for contemporary art in Brazil. This research aims to discuss the interfaces between art and architecture, understanding their influence on the current exhibition spaces configuration. Concerning the theme context, in the first place, was made a record of the evolution of the museum as a type of building, then a history of the expansion of artistic events. The object of study, Contemporary Art Institute of Inhotim, is located both in the context of institutional and spatial historical development of museums as the manifestations of contemporary art. From then on, you can perform the analysis of the galleries projects. The methodology resulted in the classification of the Institute galleries in three different approach lines: Architecture as a work of art; An architecture, multiple works; and An architecture for an artist. About similarities and differences, the comparative and descriptions method, which examine different approaches of the construction and design process of the art galleries of the Institute, lists the aesthetic and construction, realization process resource of architectural work, with exposed art. Regarding the design of museums in the contemporary world, this study comes to instigate and initiate new discussions, and facilitate the improvement and development of project parameters, once they are spaces that have undergone and continue to undergo profound transformations. |