Detalhes bibliográficos
| Ano de defesa: |
2012 |
| Autor(a) principal: |
Santana, Geórgia Cynara Coelho de Souza
 |
| Orientador(a): |
Nogueira, Lisandro Magalhães
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| Banca de defesa: |
Nogueira, Lisandro Magalhães,
Wisnik, José Miguel,
Christino, Daniel |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Comunicação (FIC)
|
| Departamento: |
Faculdade de Informação e Comunicação - FIC (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/11334
|
Resumo: |
This research is about the behavior of Brazilian popular song in two pieces of nacional contemporary cinema, which represent Retomada (1990’s) and Pós-Retomada phases (2000’s) – Terra Estrangeira (Walter Salles e Daniela Thomas, 1995) and Durval Discos (Anna Muylaert, 2002). From considering song’s presence in these movies, the research aims to exercise a film analysis method based on its connection with films’ aesthetics and narratives. This project goals to stablish an approach between the hybridity revealed in popular songs (musical and verbal languages together in mediated performance) and in the cinema (audio and visual codes), placing Brazilian popular songs used in these movies in the historical period in which they were born and in the ficcional film ressignificance zone; and to value their functional, organic and poetic use in nacional cinema. It starts from the concept of Brazilian popular song based on Wisnik's (2004) and Tatit's (2004) contributions and Aumont and Marie's (2004) and Bordwell's (1991) film analysis proposals |
