A experiência de Samuel Beckett no cinema

• Ano de defesa: 2021
• Autor(a) principal: Reis, Adriel Diniz dos
• Orientador(a): Abdala Júnior, Roberto
• Banca de defesa: Abdala Júnior, Roberto, Camargo, Robson Corrêa de, Nogueira, Lisando Magalhães, Reinato, Eduardo José, Vieira, Karine Ramaldes
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Performances Culturais (FCS)
• Departamento: Faculdade de Ciências Sociais - FCS (RG)
• País: Brasil
• Palavras-chave em Português: Samuel Beckett; Cinema; Esperando Godot; Teatro; Performances; Análise fílmica; Dramaturgia
• Palavras-chave em Inglês: Film; Waiting for Godot; Theatre; Performances; Audiovisual analysis; Dramaturgy
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::ARTES::CINEMA::INTERPRETACAO CINEMATOGRAFICA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/11935

This thesis presents a cinematographic analysis of the short film named Film (1965) from the perspective of theatrical influence the Irish Samuel Beckett. Thus, this work brings together the film Film, the play Waiting for Godot and all the dramaturgical work written by the Irish playwright Beckett. Written and directed by Beckett and co-directed by the American stage director Alan Schneider, Film addresses the Irish philosopher George Berkeley’s “To be is to be perceived” principle. In turn, Waiting for Godot, Beckett's main play, approaches the conceptual tripod of all Beckettian dramaturgy, based on the concepts of time, memory and habit, so important to the French writer Marcel Proust. Therefore, this research is interested in discussing the “subjective self-performances” raised in the reader-viewer from the relationships established in the filmic-theatrical characters' plot of the beckettian.