Detalhes bibliográficos
| Ano de defesa: |
2017 |
| Autor(a) principal: |
Santos, Kemuel Kesley Ferreira dos
 |
| Orientador(a): |
Chaib, Fernando Martins de Castro
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| Banca de defesa: |
Chaib, Fernando Martins de Castro,
Oliveira, Fabio Fonseca de,
Santos, Bruno Soares |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Musica (EMAC)
|
| Departamento: |
Escola de Música e Artes Cênicas - EMAC (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/7526
|
Resumo: |
This recheach deals with concepts and aesthetic characteristics of Scenic Music for Percussion. This is a look at performative possibilities in the performance of the contemporary percussionist, with regard to scenic musical works. One of the objectives of the work was to present and discuss concepts related to Scenic Music for Percussion, with the intention of contributing to a conceptual and performative understanding. As a methodology, a bibliographical research was carried out that helped us to construct our conceptual positioning, having as analogous references some aesthetic currents of avant-garde art from the 20th century. The research also resulted in the presentation and discussion of the concepts of Martins (2015), Serale (2011), Huang (2011) and Hansen (2014) about the theme and we propose a list with different nomenclatures used by several authors to designate Scenic Music. In this way, we present our positioning regarding the conceptualization and characterization of Scenic Music for Percussion. Finally, an interpretative analysis of Frederic Rzewski's Lost and Found (1985) was carried out, taking account all the discussion prior to this analysis. |
