Detalhes bibliográficos
| Ano de defesa: |
2018 |
| Autor(a) principal: |
Reis, Roberto Murilo Xavier
 |
| Orientador(a): |
Alvarez, Gabriel Omar
|
| Banca de defesa: |
Alvarez, Gabriel Omar,
Hirano, Luis Felipe Kojima,
Ferraz, Ana Lúcia |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Antropologia Social (FCS)
|
| Departamento: |
Faculdade de Ciências Sociais - FCS (RG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/9262
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Resumo: |
The following work researchs the making of the body of Grupo Sonhus Teatro Ritual, relating to its visions, tecniques and links with various traditions. Antropological and theatrical perspectives are put in dialogue in order to offer possibilities of approaching the group praxis. Csordas (2008) and Victor Turner (1982, 1987, 2005) are mobilized to think about the body: phenomenological views, but also emphasizing the comunicational field of the body through the ideia of symbol-body. A path that aims to understand connections between ritual and performance is followed, a central aspect to Grupo Sonhus understaings, and related to their Weltanschauung, analysed with a greater focus through their practices and discourses. The making of this work took place with the performatic learning of practices, but also with participant-observation and special dialogues. We reach the idea that the group aims to a body in transformation and that it hits people seeking their transformation as well. |
