Detalhes bibliográficos
| Ano de defesa: |
2024 |
| Autor(a) principal: |
Di Calaça, Indyanelle Marçal Garcia
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| Orientador(a): |
Andrade, Rita Morais de
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| Banca de defesa: |
Andrade, Rita Morais de,
Pires, Ema Cláudia Ribeiro,
Jesus, Samuel José Gilbert de,
Cândido, Manuelina Maria Duarte,
Nazareno , Elias |
| Tipo de documento: |
Tese
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
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| Programa de Pós-Graduação: |
Programa de Pós-graduação em Arte e Cultura Visual (FAV)
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| Departamento: |
Faculdade de Artes Visuais - FAV (RMG)
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Palavras-chave em Espanhol: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/13380
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Resumo: |
This thesis presents a study about the ways of dressing of Inỹ Karajá women in contemporary times. Although women are more contemplated in the history of fashion and dress, than men and children, for example, the choice made it easier for me to reflect the similarities and differences between the ways of dressing of Inỹ Karajá women and women in the territory that was once called Brazil. The guiding questions promote several reflections, such as: do Inỹ Karajá women's ways of dressing in contemporary times result in the maintenance of a tradition? Is there a difference in the way of dressing between women from the same village Santa Isabel do Morro/TO, considering age, social position, religion, etc? Is the use of traditional clothing by Inỹ Karajá women related to the feeling of belonging/identity? The methodological procedures adopted include a systematized bibliographic review with a concern for privileging the plurality of indigenous and Latin American authors with works of a transdisciplinary aspect, without a passive focus on European references. This research initially made use of Digital Ethnography for its realization, meeting the guidelines of the World Health Organization for the containment of covid-19 and recognizing the greater vulnerability of indigenous populations. The project was assessed and approved by the Research Ethics Committee of the Universidade Federal de Goiás, and the semi-structured interviews began, using technological resources that best suited the possibilities of the indigenous women collaborating. Subsequently, the Santa Isabel do Morro/TO village applied to the Fundação Nacional do Índio (FUNAI) to carry out the field research in person. The research, in general, involved the participation of several indigenous Karajá from different villages, but mainly from the aforementioned village, based on a project approved under the REFARM CRIA call for proposals, which promoted collaborative and horizontal data collection. There was also an analysis of images and visualities of museum collections and archives, based on the contribution of authors from the field of Visual Culture. The interest in indigenous dress may contribute to the production of the history of clothing in the country in the context of discussions on coloniality and decoloniality; besides promoting a mutual reflection, both by the researcher/mediator about my own naturalized conceptions, and by the female collaborators Inỹ Karajá about the transformations in their own culture. |
