Narrativas de bixas e travestis pretas: teorias e a cultura de baile na grande Goiânia

Detalhes bibliográficos
Ano de defesa: 2022
Autor(a) principal: Silva, Icaro Ribeiro da lattes
Orientador(a): Dias, Luciene de Oliveira lattes
Banca de defesa: Dias, Luciene de Oliveira, Correia, Paulo Petronílio, Piva, Carolina Brandão, Jesus, Jaqueline Gomes de
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Performances Culturais (FCS)
Departamento: Faculdade de Ciências Sociais - FCS (RG)
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/12129
Resumo: The dissertation was designed to demonstrate the existence of the body and the subjectivity of the black fag. We thought of a bixa with x as a way to subvert linguistic patterns and reference Linn da Quebrada's song. Through the construction of a dialogue between gender performativity and Cultural Performances, we seek to theoretically elaborate the constitution of this body, the power relations in which it is inserted and the performance of this bixa in culture. In this way, in addition to a theoretical debate, some experiences of fags, fagots and transvestites will be reported from the Ballroom Cultura of Goiânia. The Ballroom Culture, which originated in Harlem, New York City in the 20th century and expanded around the world, was founded by these bodies. Active bodies to transgress the understanding of gender and sexuality, exalting singularities and power. We reflect on the construction of a Ballroom Culture, focused on the local aspects of their bodies and we point out specificities of the experience of bixas and transvestites in Goiás. Despite the struggles being constant and shared by bixas and transvestites from several different places, regionality crosses the experience of building these bodies.