Museus para o esquecimento: seletividade e memórias silenciadas nas performances museais

• Ano de defesa: 2017
• Autor(a) principal: Bulhões, Girlene Chagas
• Orientador(a): Oliveira, Vânia Dolores Estevam de
• Banca de defesa: Oliveira, Vânia Dolores Estevam de, Camargo, Robson Corrêa de, Chagas, Mario de Souza
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Goiás
• Programa de Pós-Graduação: Programa de Pós-graduação em Performances Culturais (FCS)
• Departamento: Faculdade de Ciências Sociais - FCS (RG)
• País: Brasil
• Palavras-chave em Português: Performances culturais; Museologia social e afetiva; Afeto; Rizoma
• Palavras-chave em Inglês: Cultural performances; Museology social and affective; Affection; Rhizome
• Área do conhecimento CNPq: CIENCIAS SOCIAIS APLICADAS::MUSEOLOGIA
• Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/9197

Amidst its multiple tensions and meanings, museums are considered institutions in which our memories are kept and communicated so that we don’t lose sight of them. However, some of the museums, with a conscious intention or not, doing just the opposite: they silence the memories of certain subjects and social groups systematically and deliberately. Hence, they turn into Cultural Performances for the oblivion. Based, mainly, on studies of Cultural Performances, Social and Affective Museologies, Social Cartography, Queer Studies and on post-structuralist authors, in this dissertation, considerations will be made about this fact, which I consider to be a museum controversy, starting, mainly, from passages of greek and yoruba mythologies, concepts of Museum Pact, Social Drama, Mask, Façade, Scenario, Museum Selectivity, Museums/Museums Performances Arboreal and Rhizomatic, Affection, Rhizome and Art Brut.