Vozes da arquitetura moderna: o discurso de Lina Bo Bardi

Detalhes bibliográficos
Ano de defesa: 2019
Autor(a) principal: Silva, Daniela José da lattes
Orientador(a): Mello, Márcia Metran de lattes
Banca de defesa: Mello, Márcia Metran de, Oliveira, Adriana Mara Vaz de, Pereira, Maíra Teixeira
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Goiás
Programa de Pós-Graduação: Programa de Pós-graduação em Projeto e Cidade (FAV)
Departamento: Faculdade de Artes Visuais - FAV (RG)
País: Brasil
Palavras-chave em Português:
Palavras-chave em Inglês:
Área do conhecimento CNPq:
Link de acesso: http://repositorio.bc.ufg.br/tede/handle/tede/9504
Resumo: This work deals with text, an important element in architectural making, but which is not always immediately associated with it. More specifically, one looks back to the written work that Lina Bo Bardi produced during the more than four decades in which the architect lived in Brazil (between 1946, the year of her arrival in Brazil and 1992, the year of her death). In order to identify Lina Bo Bardi's discourse, texts published in Brazilian periodicals were selected for analysis, more specifically in newspapers and magazines, whose authorship is proven by the architect's signature in them. It is searched, through analysis sheets that address issues such as the historical and architectural contexts of the period of publication of the text and present an analysis of the textual and non-textual elements of each text analyzed, seeks out to identify the themes present in Lina Bo Bardi's written architecture, evidencing her contributions to the construction and development of Brazilian architecture up to the present day. This research is relevant since its texts, multiple and varied, marked the architecture and Brazilian culture of the twentieth century, thus contributing to the strengthening of the discipline in a significant period of history in the country and that deserves to be highlighted, the Modern Movement. They are essays, both in form and in content, which deal with a plurality of themes and that extrapolate the urban-architectural technical questions and which together make up a coherent and unified discourse having in humanism its main foundation. Lina Bo Bardi wrote for newspapers, magazines (specialized or not in architecture), catalogs, books and editorials, producing a large number of texts and demonstrating the importance of writing to make it architectonic and to understand culture and society, being difficult to disassociate theory and practice from their professional performance.