Detalhes bibliográficos
| Ano de defesa: |
2024 |
| Autor(a) principal: |
Mendes, Marina Muniz
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| Orientador(a): |
Jesus, Samuel José Gilbert de
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| Banca de defesa: |
Jesus, Samuel José Gilbert de,
Silva, Guilherme Ghisoni da,
Anjos Neto, João Dantas dos,
Vilela, Ana Lúcia Oliveira,
Beck, Ana Lúcia |
| Tipo de documento: |
Tese
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| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
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| Programa de Pós-Graduação: |
Programa de Pós-graduação em Arte e Cultura Visual (FAV)
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| Departamento: |
Faculdade de Artes Visuais - FAV (RMG)
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| País: |
Brasil
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| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Palavras-chave em Espanhol: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/13546
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Resumo: |
This thesis presents the post-mortem portrait as its central theme. It develops the theme through three guiding axes: death, metamorphosis and photography. It investigates processes of construction of meaning centered on artistic images and visualities articulated with culture. It creates connections based on the author's personal history with the genre of post-mortem photography, starting with the photograph of the grandmother being veiled; including photo essays on dead and metamorphosed animals carried out on trips; until arriving at the book Ultima Thule, by Danish photographer Henrik Saxgren; Along the way, this thesis puts photographs from different collections into dialogue, grouping clippings from different historical periods and artists. Bibliographic and documentary research is used. Data examination is based on content analysis. The method is understanding-oriented qualitative research. The justification for the thesis is that in the search to understand life it is important to consider death. The objective of the research is interpretative. The thesis creates a poetic and authorial narrative. It develops creative writing. It is based on authors from the arts, humanities and applied social sciences, poems and literature, including fiction. The narrative strategy of the thesis makes use of morphological, semantic and social connections of the language. It ties together images-images, images-words, words-images, words-words. It stitches the analyzes using metaphors, latent images and imagination. It brings together entries from entomology, enhanced by analogies with the vocabulary universe relating to insects and analogies with the different phases of metamorphosis. Associations and contrasts also promote imagery associations between works. It is research with images, which structure a methodological perspective, not requested solely for their illustrative purposes. It is dedicated to collecting and curating for scientific purposes. It is inspired by the Atlas Mnemosyne by the German art historian, Aby Warburg (1866-1929). It creates a photographic exhibition drawn from four lines of force: candid post-mortem; death and monstrous masks; remote landscapes; and metamorphosed bodies of animals. It considers life, its transformations, reproductions and survivals. It acknowledges that in the search to understand life it is necessary to consider death. |
