Detalhes bibliográficos
| Ano de defesa: |
2024 |
| Autor(a) principal: |
Silva, Edimar Pereira
 |
| Orientador(a): |
Dallago, Saulo Germano Sales
|
| Banca de defesa: |
Dallago, Saulo Germano Sale,
Costa, Clarice da Silva,
Souza, Rildo Bento de |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Goiás
|
| Programa de Pós-Graduação: |
Programa de Pós-graduação em Artes da Cena (EMAC)
|
| Departamento: |
Escola de Música e Artes Cênicas - EMAC (RMG)
|
| País: |
Brasil
|
| Palavras-chave em Português: |
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| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
http://repositorio.bc.ufg.br/tede/handle/tede/13359
|
Resumo: |
This research seeks to fill some of the many gaps in the History of Theater in Goiás, focusing on the Theater Group O Mundo É Nossa Casa in the city of Senador Canedo in the Jardim das Oliveiras region, where their practices and productions are analyzed to identify the processes, methods and other actions that articulate theater making and thinking in its local context, which are a priori related to the activities of the Nossa Senhora Aparecida Community and the local reality of the neighborhood. The Cia's creative and investigative processes do not go directly through theatrical tradition references. The present study notices similarities with currents of thought that question whether Latin America thinks for itself or still remains a colony, but now from an epistemological point of view. The study includes references that influenced the group, such as Liberation Theology and the pedagogy of the oppressed; In this context, interculturality is not a choice, but something that is constituted in the process of living in community and that, in the encounter with consolidated aesthetics, the clash shows the difference between the two, often relegating the group's aesthetics as subordinate art |
