Sobe o pano: a crítica teatral moderna e a sua legitimação através de Vestido de Noiva.

• Ano de defesa: 2006
• Autor(a) principal: Pereira, Aline Andrade
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Programa de Pós-graduação em Comunicação; Comunicação
• Palavras-chave em Português: Crítica teatral; Autoridade jornalística; Memória; Teatro brasileiro; Theater criticism; Journalistic authority; Social memory; CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Link de acesso: https://app.uff.br/riuff/handle/1/20421

This dissertation aims to investigate the social constructions builded by theater critics regarded to the beginning of the modern brazilian drama. The hypothesis is that the theater criticism legitimize this discourse as official, at the same which legimitimizes themselves. By an interpretative perspective, it will be possible to show, through these criticism, the parameters that guide the work of this social group: the sciencifism and the serious character . Based upon these parameters, the critics perceive as fundamentalcategories, as geniality , universality and originality . These categories sustain others, identified as sub-categories, related to technical aspects of the stage setting. The role of the criticism could be seen as one intelligentsia, endowed with an authority, builds the social memory concerning the theater and about themselves.