O inventário poético de Paulo Leminski
Ano de defesa: | 2009 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Programa de Pós-graduação em Letras
letras |
Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | https://app.uff.br/riuff/handle/1/18560 |
Resumo: | This work aims at analysing Paulo Leminski s writing procedures (1944-1989), recognizing the hybridism as the axis of his proposal. This choice is based on the plurality of concepts arrays of art and language, genres and diverse artistic movements that organize his poetic and critical discourse. It is through a rereading of his cultural heritage that his practice will be developed and consolidated in a master piece that gives opening to alterity and, inconclusive, it opens to becoming. In this sense, we highlight the way how Leminsky invests in his intersemiotic operations and, paradoxically, he takes advantage of the taxonomic function, seen through the series and the enumeration as a means to compose a project that is in continuous process of thinking and making. We mainly involved the act of poetize with the reflection about the poetic composition and we made use of the analysis of letters, essays and biographies in order to understand the dialogue with his works and try to delineate his inventory poetry. |