O Banquete: uma degustação de textos e imagens

• Ano de defesa: 2011
• Autor(a) principal: Bettencourt, Lucia Oliveira Lima de Andrade
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Programa de Pós-graduação em Letras; letras
• Palavras-chave em Português: Banquete, Antropofagia, Fome, Platão, Carpentier, Callado, Mário de Andrade.; Banquet; Cannibalism; Hunger, Plato; Carpentier; Callado; Mário de Andrade; CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: https://app.uff.br/riuff/handle/1/19518

By examining paradigms such as Plato s banquet; the image of the Last Supper, as portrayed by Leonardo da Vinci and reinterpreted by Brazilian artists; and Don Juan s banquet, this dissertation proposes that Latin American artists view the banquet as an authoritative metaphor that allows their participation in the Western cultural tradition. This artistic preference is reinforced by the manifestos issued by Oswald de Andrade and Gláuber Rocha, and essays written by Fernando Ortiz, Ángel Rama e Silviano Santiago. The books analyzed Concierto Barroco (by Alejo Carpentier), Quarup (by Antônio Callado) and O banquete (by Mário de Andrade) reveal that mid-XXth-century works by Cuban and Brazilian authors were haunted by questions of how to belong to the Western tradition without renouncing Indian and African influences. The visionary Mário de Andrade, also considers the market value of art in its consumption .