Recortes e rasuras no corpo: sagrado e erotismo no Teorema de Pasolini

• Ano de defesa: 2006
• Autor(a) principal: Vieira Júnior, Erly Milton
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Programa de Pós-graduação em Comunicação; Comunicação
• Palavras-chave em Português: Cinema e corpo; Cinema de poesia; Alteridade; Semiótica; Erotismo; Crítica e interpretação; Body and cinema; cinema of poetry; Alterity; CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Link de acesso: https://app.uff.br/riuff/handle/1/20576

In 1968, Pier Paolo Pasolini, according his cinema of poetry article, makes Teorema, teling a story about a foreigner s visit (supposed divine) to a urban rich family, making possible a transgressive experience which questionates the reason s limits. This research proposes, at first, a new discussion about some concepts ( sacrality , erotism , body ), as presented in Pasolini s works, pitted to some Bataille, Eliade ande Augé s articles and books. We chose some elements of cinematographic language (the big shot, editing and free indirect subjetive take ) to analyse the corporal cuts (in time and space) in a Pasolinian cinema of poetry ,thinking the body as a transgressive space in wich sacred and erotic experiences happen.