Hélio Oiticica: arte como experiência participativa

• Ano de defesa: 2006
• Autor(a) principal: Silva, Cinara de Andrade
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Programa de Pós-graduação em Ciência da Arte; Teoria da Arte
• Palavras-chave em Português: Hélio Oiticica; Obras; Textos; Poética; Participação; Vivência; Descondicionamento; Vontade Construtiva; Antiarte; Utopia Oiticica, Hélio, 1937-1980; Arte moderna; Século XX; Vanguarda (Estética); Brasil; Works and writings; Participation; Art and life; Deconditioning; Freedom; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::FUNDAMENTOS E CRITICA DAS ARTES::TEORIA DA ARTE
• Link de acesso: https://app.uff.br/riuff/handle/1/17422

The present work intends to identify the main issues concerning the construction of Hélio Oiticica poetics, thus, developing these questions alongside an analysis of portions of his body of work, here considered as the resultant of artistic object, its relation with the participant and his writings. It also intends to contribute to the discussion of his creative process in relation to the work/poetics/viewer-participant/art system equation. The folowing works and its related issues were choosen as the object of our analysis: the crossing of boundaries between fine arts in Metaesquemas, Monocromáticos (Invenções), Relevos Neoconcretos, Bilaterais and Relevos Espaciais and its propositions towards the object; active participation in Bólides, Núcleos, Penetráveis, Parangolés and Ninhos; vontade construtiva e antropofágica in Tropicália; deconditioning in Éden; antiinstitutionalization utopia present in the anti-art proposals of Barracão, Manhattan Brutalista and Delirium Ambulatorium.