A imagem a ser consumida : política visual, imaginação espacial e a estética dos vídeos turísticos no estado do Espírito Santo

• Ano de defesa: 2014
• Autor(a) principal: Oliveira, Fabianne Torres
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Espírito Santo; BR; Mestrado em Geografia; UFES; Programa de Pós-Graduação em Geografia
• Palavras-chave em Português: Tourist videographies; Space imagination; Visual policy; Consumption; Deterritorialization; Desterritorialização; Videografias turisticas; Imaginação espacial; Política visual; Videoarte; Turismo - Espírito Santo (Estado); Consumo (Economia); Geografia; 91
• Link de acesso: http://repositorio.ufes.br/handle/10/1187

Attached to their own aesthetics and "effects of truth" (PELLEJERO, 2008), the tourist videographies end up creating vastly informative languages on what one wants to say about the place. Its scenes are appointed to propagating an image to be consumed, and from them it's expected the best angles, unique experiences and alternative and natural scripts to know the place. So the tourist images, nowadays, are powerful languages to understand the narratives about the places, theirs spatial imaginations, as well as the construction of fictions about a certain reality. Once involved in the production of hegemonic fictions, tour videos, and spatial imaginations that we have from them, can promote crystallized ways of thinking about space, moving us away from the purposes of understanding the space and its connections, disconnections and multiplicity of trajectories (MASSEY, 2008). In this context, this research aims to discuss how touristic videos, in particular two videos from the current campaign of the Department of Tourism of the State of Espírito Santo, "Descubra o Espírito Santo", have a particular kind of spatial imagination. Also follow as interest: Understand and analyze the visual politics and aesthetics of tourist videographies; Understand and analyze the production of a fiction that builds and mobilizes a spatial imagination and; study authors and videographic productions that have dedicated themselves to think of other possibilities to mobilize and deterritorialise a spatial imagination and videographic aesthetics.