Um homem segundo o meu coração: Relações político-sexuais da arte na série Davi, de Alair Gomes

• Ano de defesa: 2023
• Autor(a) principal: Barcelos Júnior, César Silva
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Espírito Santo; BR; Mestrado em Artes; Centro de Artes; UFES; Programa de Pós-Graduação em Artes
• Palavras-chave em Português: Alair Gomes; Davi de Michelângelo; Homoerotismo; Homocultura; Artes
• Link de acesso: http://repositorio.ufes.br/handle/10/12300

Studying the work of Alair Gomes is to encounter a unique and difficult-to-compare production in relation to any other Brazilian or Latin American photographer. Gomes' own life was a wandering flow that passed through engineering, public service, philosophy, teaching, writing, and photography. In an attempt to contribute in some way to a systematic study of Alair Gomes' work and thoughts, this research proposes a study on a set of photos that surprisingly were not organized by the photographer himself. The photographs that Gomes took of Michelangelo's David may reveal something about the formation of this photographer's gaze, which could perhaps serve as a paradigm for the gaze of many other gay men.