A intuição como método na composição de Água viva (versão final), de Clarice Lispector: a vizinhança da literatura e a filosofia de Bergson

• Ano de defesa: 2014
• Autor(a) principal: Oliveira, Carlos André de
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Espírito Santo; BR; Doutorado em Letras; UFES; Programa de Pós-Graduação em Letras
• Palavras-chave em Português: Literature; Neighborhood; Philosophy; Intuition; Method; Vizinhança; Método; Lispector, Clarice, 1925-1977; Bergson, Henri, 1859-1941; Intuição; Literatura e filosofia; Letras; 82
• Link de acesso: http://repositorio.ufes.br/handle/10/3172

The present study aims to investigate the intuition as the method of creating Clarice Lispector process, analyzing the relationships between literature and philosophy. It can be seen in the writings of this author a thinking experience with literary language in the vicinity of philosophy. The Water Live text (final version), border text, which is located in the medial space, the margin between the literary and philosophical, is the main corpus of this work, allowing certain boundaries. However, other texts Clarice also serve as support of research. The hypothesis guiding this research would be that the literary work of this author was ever actually thought about. No logical thinking, rational, Cartesian or existentialist. But another mode of thought: the thought behind the thought, the duration, and its variations, which in our view is directly linked to intuition and allows closer Clarice Lispector and the philosophy of Henri Bergson. But our goal is not to seek a relationship of absolute identity between the literature of Clarice Lispector and the philosophy of Henri Bergson, but to find becomings which are linked with or coexist in levels, in areas of proximity, indiscernibility, undifferentiated . The intuition that appears in the text of Clarice Lispector is not identical to Bergson (philosophical intuition), but another kind of intuition: the aesthetic intuition that goes further than philosophy because it makes things more in length, putting us directly duration in real temporality.