Looking for Langston e The Attendant: Um estudo sobre a obra do artista Isaac Julien

• Ano de defesa: 2021
• Autor(a) principal: Ferreira, Alvaro Leite
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Espírito Santo; BR; Mestrado em Artes; Centro de Artes; UFES; Programa de Pós-Graduação em Artes
• Palavras-chave em Português: Arte contemporânea; sexualidade; descolonização; cinema negro; subject.br-rjbn; Artes
• Link de acesso: http://repositorio.ufes.br/handle/10/15872

Considering the poetics of Isaac Julien, we can verify the relevance of his works in the international art scene, for the articulation of languages, media and supports, and the social approach itself, as a black and gay artist working within an art system predominantly white.Thus, the present work proposes a study of some of Julien’s works, in order to discuss the relationship with concepts as identity, sexuality, and social affirmation. His filmography comprises works made between 1983 and 2019, in a production that encompasses a total of 30 films, including some documentaries. Thus, this research focuses on the films Looking for Langston (1989) and The Attendant (1993).