Performance e rebeldia em Niki de Saint Phalle
Ano de defesa: | 2021 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal do Espírito Santo
BR Mestrado em Artes Centro de Artes UFES Programa de Pós-Graduação em Artes |
Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | http://repositorio.ufes.br/handle/10/15506 |
Resumo: | This research’s objective is to study the performances of the French-American artist Niki de Saint Phalle (1930-2002). It aims a broadening of the artist’s work between the years of 1960- 1963, which is when the artist had developed her first performances called “Les Tirs”. Its pursuit is to discuss the concept of defiance and the artist’s working with fire guns at the commence of her performances, as well as queries related to feminism. For this purpose, the historical aspects related to the artist’s life and childhood were taken into consideration. The story portrayed in the performance has a lot to do with the artist herself, since she had been involved with artists who were relevant, and in turn, as a woman, she influenced many women and feminists in the years of 1960 and 1970; even though her relation with the feminist movement wasn’t activist. |