Caio Fernando Abreu por Caio F.

• Ano de defesa: 2015
• Autor(a) principal: Kogure, Linda Emiko
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Espírito Santo; BR; Doutorado em Letras; UFES; Programa de Pós-Graduação em Letras
• Palavras-chave em Português: Escrita de si; Auto(alter)ficção; Performance; Caio F.; Self writing; Auto(alter)fiction; Escritura de sí; Auto(alter)ficción; Abreu, Caio Fernando, 1948-1996 - Crítica e interpretação; Abreu, Caio Fernando, 1948-1996 - Personagens; Personagens literários; Ficção brasileira - História e crítica; Letras; 82
• Link de acesso: http://repositorio.ufes.br/handle/10/3189

This paper aims to analyze the literally work of Caio Fernando Abreu (CFA) through the self written perspective (auto or/and alterfictional) and performance, from two point of views: first from the “travelers” (in permanent deployment from de characters in proximity to the author’s trips) and the other from the personae, mainly, the ones seen in the letters where CFA “shuffles in” other selves, signing different names, such as Caio F. The structure is analog to a travel script, the two point of views studied culminate in a travel log, with novels, tales, letters, “chronicles” and interviews fragments from the author to newspapers and magazines. The travel log is signed by Caio F., the other self that triumphs as a trace of a trace, the literally symbol, the representative, the most iterated persona that substitutes or overlaps more and more the author’s name, even after over three decades from its creation.